Travis Hiland
What you are so eloquently describing is the bitter threshold that precedes every revolution, where the cost of inertia suddenly outweighs the cost of change!
What you are so eloquently describing is the bitter threshold that precedes every revolution, where the cost of inertia suddenly outweighs the cost of change!
In the face of most human conflict, larger wisdom seems to cry out for diplomacy, especially when viewed through the lens of the hope-infused Gospel. This has been the subject of many heated war room debates. When is caution better than rash bravery?
I think of Falstaff, in Shakespeare's Henry the Fourth, who famously defends his choice to "play dead" in the battlefield in order to live and fight another day, rather than die upon the hill of vainglorious valor.
"I am no counterfeit: to die,
is to be a counterfeit; for he is but the
counterfeit of a man who hath not the life of a man:
but to counterfeit dying, when a man thereby
liveth, is to be no counterfeit, but the true and
perfect image of life indeed. The better part of
valour is discretion; in the which better part I
have saved my life."
is to be a counterfeit; for he is but the
counterfeit of a man who hath not the life of a man:
but to counterfeit dying, when a man thereby
liveth, is to be no counterfeit, but the true and
perfect image of life indeed. The better part of
valour is discretion; in the which better part I
have saved my life."
(Henry the Fourth, Part 1 Act 5, scene 4)
And yet, there are breaking points when longsuffering works against our duty to sanctify life and defend liberty.
"...all experience hath shewn that mankind are more disposed to suffer, while evils are sufferable than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security."
(Thomas Jefferson, Declaration of Independence)
Agreed. The lines between discretion and valor can be razor thin sometimes. I have been thinking lately about the "continental congresses" that convene inside my own mind. How eloquently I can stand and defend the "peace" of status quo.
Thank you, Kenzi and Abbe, for your wonderful discussion
Kenzi Mortensen
January 27 at 10:42 AM
One thing I haven't seen mentioned, and I may have just missed it, is the contrast between the sets of women in each play. I think they show two ways women handle the situations they are thrust into.
In Antigone, she is angered chooses to adamantly do what she was told not to do. It may not have been "a manifestation of obstinence, but of faith," as Travis Hiland said, but the men in power saw it as her being obstinate regardless of why she was doing it.
In Trifles, the women subvert quietly and without the men knowing. In all appearances, to the men, these women are "being women." In reality, Mrs. Hale, almost from the moment she stepped through the door decided to defend Mrs. Wright. This is shown in her protectiveness through her defending Mrs. Wright's kitchen. One specific moment I haven't noticed been mentioned either was the stitching on the quilt. I believe it is at this point that Mrs. Hale realizes Mrs. Wright is guilty and at this point that she decides to cover it up regardless.
In Trifles, the women subvert quietly and without the men knowing. In all appearances, to the men, these women are "being women." In reality, Mrs. Hale, almost from the moment she stepped through the door decided to defend Mrs. Wright. This is shown in her protectiveness through her defending Mrs. Wright's kitchen. One specific moment I haven't noticed been mentioned either was the stitching on the quilt. I believe it is at this point that Mrs. Hale realizes Mrs. Wright is guilty and at this point that she decides to cover it up regardless.
MRS HALE: (examining another block) Mrs Peters, look at this one. Here, this is the one she was working on, and look at the sewing! All the rest of it has been so nice and even. And look at this! It's all over the place! Why, it looks as if she didn't know what she was about!
(After she has said this they look at each other, then start to glance back at the door. After an instant MRS HALE has pulled at a knot and ripped the sewing.)
MRS PETERS: Oh, what are you doing, Mrs Hale?
MRS HALE: (mildly) Just pulling out a stitch or two that's not sewed very good. (threading a needle) Bad sewing always made me fidgety.
MRS PETERS: (nervously) I don't think we ought to touch things.
MRS HALE: I'll just finish up this end. (suddenly stopping and leaning forward) Mrs Peters?
MRS PETERS: Yes, Mrs Hale?
MRS HALE: What do you suppose she was so nervous about?
MRS PETERS: Oh—I don't know. I don't know as she was nervous. I sometimes sew awful queer when I'm just tired. (MRS HALE starts to say something, looks at MRS PETERS, then goes on sewing)
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